Tête de Femme (frontispiece from Portraits)
View Similar Items
Henri MatisseTête de Femme (frontispiece from Portraits)1954
1954
About the Item
- Creator:Henri Matisse (1869-1954, French)
- Creation Year:1954
- Dimensions:Height: 20.75 in (52.71 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:new archival framing.
- Gallery Location:Boston, MA
- Reference Number:1stDibs: LU23714258792
Henri Matisse
Whether working as a draftsman, a sculptor, a printmaker or a painter, Henri Matisse was a master of color. Although classically trained at the Académie Julian, in Paris, he quickly abandoned traditional techniques and genres to pioneer a style all his own, marked by quick, gestural strokes and fluid contours.
Along with fellow painter André Derain, Matisse was the leading proponent of Fauvism, a movement whose name is derived from the French word for "wild beast.” Marked by vibrant hues, Fauvist paintings like Matisse’s famous 1906 composition Le Bonheur de vivre use wild, active brushstrokes and a palette unconstrained by nature, resulting in women with purple skin and trees with orange leaves. Often, these compositions unite pure color with the white of exposed canvas to create a sense of transparency and light.
In addition to masterful landscapes and still lifes, Matisse loved to paint erotic subjects, particularly the female nude. Rejecting strict realism, he distilled the form into its essential parts and then translated these into voluptuous, rounded contours. With its striking colors and sculptural modeling of the figure, Odalisque couchée aux magnolias is among Matisse’s most famous works — and the most expensive work of his ever sold — depicting Henriette Darricarrère, his muse and favorite model for around seven years, lounging luxuriously in his Nice studio. In pictures like the lithograph Nu Bleu, he explored the expressive power of a body in motion by placing his figures in twisted or contorted poses, transforming their limbs into tangles of color and shape that push figure painting toward abstraction.
Find original Henri Matisse prints, sculptures and other art on 1stDibs.
- IsaiahBy Marc ChagallLocated in Boston, MAArtist: Chagall, Marc Title: Isaiah Series: Bible Date: 1956 Medium: Lithograph Unframed Dimensions: 14" x 10.5" Framed Dimensions: 23 1/4 " x 19.5" Signature: Unsigned Editi...Category
1950s Modern Prints and Multiples
MaterialsLithograph
$1,200 - Untitled I (San Lazzaro and Friends Series)By Henry MooreLocated in Boston, MAArtist: Moore, Henry Title: Untitled I (San Lazzaro and Friends Series) Series: San Lazzaro and Friends Date: 1975 Medium: Lithograph Framed Dimensions: 19.5" x 23.5" Signature...Category
1970s Modern Figurative Prints
MaterialsLithograph
$1,000 Sale Price28% Off - EvocationBy Marc ChagallLocated in Boston, MAArtist: Chagall, Marc Title: Evocation Date: 1983 Medium: Lithograph in colors on Arches Unframed Dimensions: 25.625" x 18.75" Framed Dimensions: 31.25" x 21.5" Signature: Pen...Category
1980s Modern Prints and Multiples
MaterialsLithograph
$18,900 - Profile and Red ChildBy Marc ChagallLocated in Boston, MAArtist: Chagall, Marc Title: Profile and Red Child Date: 1960 Medium: Lithograph Unframed Dimensions: 12 5/8 x 9 1/2" Signature: Unsigned Edition: book edition Literature: Mo...Category
2010s Modern Prints and Multiples
MaterialsLithograph
- UntitledBy Joan MiróLocated in Boston, MAArtist: Miro, Joan Title: Untitled Series: catalogue raisonné Date: 1974 Medium: Lithograph Framed Dimensions: 21.25" x 17.75" Signature: Unsigned Literature: Joan Miro Lithographs Vol. III, pg...Category
1970s Modern Prints and Multiples
MaterialsLithograph
$1,200 - Job In DespairBy Marc ChagallLocated in Boston, MAArtist: Chagall, Marc Title: Job In Despair Series: Bible Date: 1960 Medium: Lithograph Unframed Dimensions: 13.9" x 10.5" Framed Dimensions: 24" x 2...Category
1960s Modern Prints and Multiples
MaterialsLithograph
- Woman Walking Away from GentlemanBy Rudolf BauerLocated in New Orleans, LAA well dressed woman takes leave of a gentleman. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905, where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm, and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, Bauer had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and his significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, Bauer founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...Category
Early 20th Century Modern Figurative Prints
MaterialsLithograph
- Portrait, The man with a hat - Lithograph, 1971By Paul CézanneLocated in Paris, FRPaul Cezanne Portrait, The man with a hat, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) ...Category
1970s Modern Portrait Prints
MaterialsLithograph, Stencil
- Gretchen & EricBy Robert LongoLocated in New York, NYFrom the artist’s iconic, Men in the Cities series, Robert Longo created Gretchen & Eric in 1985, each as an original lithograph measuring 72 x 35 7/8 in. (182.9 x 91.1 cm), unframed...Category
20th Century Modern Portrait Prints
MaterialsLithograph
Price Upon Request - Ganimede - Lithograph by Carlo Maria Mariani - 1982By Carlo Maria MarianiLocated in Roma, ITGanimede is a contemporary artwork realized by the artist Carlo Maria Mariani in 1982. Mixed colored etching Hand signed, dated and numbered on the lower margin. Edition of 37/80....Category
1980s Modern Portrait Prints
MaterialsLithograph
- Portrait of Alfredo Tennyson - Lithograph - 19th CenturyLocated in Roma, ITPortrait of Alfredo Tennyson is a modern artwork realized by an Anonymous artist in the 19th Century. Lithograph print on paper. Titled on the lower. Good condition.Category
1850s Modern Figurative Prints
MaterialsLithograph
- Soldier - Lithograph - 19th CenturyLocated in Roma, ITSoldier is an original hand-colored Lithograf realized by an Anonymous artist of the XIX century. In good condition except for a rip on the lower margin that doesn't affect the imag...Category
19th Century Modern Figurative Prints
MaterialsLithograph